This exhibition represents a synthesis of the artistic career of the sculptor Deborah Mondovi, whose research has always had a close ties with the musicality of the forms to come here today to complete a merger with the electronic sound through close collaboration with the composer Silvia Lanzalone .
The terracotta sculptures on display are all made with the technique in pigeons, and the color variation is to use different engobed clay sometimes. This technique is very old and has always been used by the craftsman, you can create hollow forms and open in order to establish an ongoing dialogue between the space outside and inside the sculpture, between presence and absence of matter. In addition to the terracotta
Debora was also keen to work with wood and rope, material that it has aroused in her a special charm from both an aesthetic and methodology of work. Each different material for the artist is also a different idea of \u200b\u200btime or rhythm of life: so the stone, embedded intact, symbolizes the eternity of time that does not bear the marks of our lives, but those of life, instead of the clay indicates that the time passes quickly, the fingers that mold the clay record each moment as it unfolds, and finally the rope, if that leads to the repetitive motion and constant hand rhythm mantra capable of teaching them to wait and reflection.
The exhibition, open from Saturday, May 8 to Sunday, June 6 , also contains two performative moments, during which the poetic voice of Simon Sterpetti will spokesman meeting between form and sound , the voice of the interpreter will be left in charge of taking the rough hand art Sound art form to let go then in unison.
The first performance event in the program, scheduled for Saturday, May 8 will feature the sound of Kyotaku (Japanese flute) played by Marco Cambon and the poetic voice of Simonetta Sterpetti that will play music she selected for the occasion.
The second, however, is scheduled for Saturday, May 29 again he will star as the poetic voice of Simonetta Sterpetti in dialogue, this time, with a sound sculpture of Mondovi, whose music is the work of composer integrated Silvia Lanzalone . The sculptural work is designed to resonate at certain frequencies of the sound spectrum and consists of hollow elements of different sizes within which the sounds are amplified and processed consistent with the shape and size of the cavity.
The sound installation will remain on display until the end of the show.
All the authors of the two events, at a different level, have in common the ability to transmigrate grown over time from one situation to another: from the sound to silence, from the inside to the outside ... from full vacuum to an infinite time in a while.
Among the works, three paintings by Robert Kilarski and some of the artistic lamps study Marameo .
[ press release by Claudio Muolo ]
Photos © Claudio Muolo_ PREVIEW EXHIBITION @ D + Arch
empty / full IMPLIED sounds. " Sculptures by Deborah Mondovì
by Claudia Muolo
"The Nail Sermoneta"
Piazza del Popolo, 13
Sermoneta (LT)
tel. 347 4096112
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