Most Heat Absorbent Material

"People meet in architetcture. TB A21 at the Venice Biennale 2010

Thyssen-Bornemisza Contemporary Art at 12. International Architecture Exhibition

People meet in architecture

La Biennale di Venezia 2010

Press
Committed to the Committee and the production of contemporary art projects Thyssen-Bornemisza Art Contemporary years is also involved in the development, production and, more generally, in the discourse on contemporary architecture with projects such as Your Black Horizon Olafur Eliasson and David Adjaye, The Morning Line Matthew Ritchie and Aranda \\ Lasch, as well as other collaborations with the Architecture Biennale in Venice.
year, TB A21 was invited to co-produce thebuildingwhichneverdies study R & Sie (n ) and Modern Primitives of Aranda \\ The sch presented People Meet in Ar chitecture , by Kazuyo Sejima, as well as some interactions with smaller Berger & Berger and Hernan Diaz Alonso in Austrian Pavilion .

Aranda \\ Lasch, Modern Primitives - 2010
with Island Planning Corporation
"Modern Primitives is a space that seems fall apart, and rebuild at the same time. It is a contemporary ruin where objects covered with plants and plant-covered items are dispersed freely in the exhibition space. Depending on how you perceive the cycle, this space can be the place where we come from or where we are going to .
The installation consists of large blocks of stone , small pieces primitive built on larger boulders on which you can sit, rest or you can hold in his arms. When analyzed more easily, Modern Primitives is a way to decorate a space. This idea may spread beyond the show and contaminate the city - in streets, gardens and canals of Venice. " (Aranda \\ Lasch)
on display at this time: The Morning Line Istanbul, Eminonu Square . A stage for contemporary music and composition, The Morning Line is a public facility - 20 long and 8 meters high, built with 17 tons of aluminum - which explores the interrelationship between art, architecture, music, mathematics, science and cosmology.

R & Sie (n), thebuildingwhichneverdies - 2010
The contribution of R & Sie (n) to 12. International Architecture Exhibition - a project for Zumtobel Light Company - could become a "cabinet of curiosity" in the context of the Biennale. As a laboratory thebuildingwhichneverdies (the building that never dies) is a research center that deals with three fields: the physiological adaptation to the dark to reduce light pollution urban circadian cycles of humans and the effects of melatonin through control the intensity of artificial light, and related diseases UV , a consequence of the weakening of the ozone layer. Precisely because of this third aspect of the research, the outer surface of the laboratory consists of hot parts UV-sensitive pigments Isobiot ® operating that, as a multitude of markers, reveal the danger level of rays. The aim is to show the substance of light, through devices that are both physiological, psychological and pathological conditions, articulating the ambiguity and contradiction effects of safe and unsafe.

Berger / Berger, Ça va (a prefabricated movie theater) - 2010
Ça va (a prefabricated movie theater) is to create a unique space dedicated to the meeting of the films with their audience. Originally proposed as part of the play goes Ça Philippe minyan , And directed by Robert Cantarella at the Theatre of Dijon, this alcove is a public bag placed inside . A temporary cinema, the result of a protocol that determines the behavior of an audience, which may lead the viewer to an experience that goes beyond the simplicity of using a constructed object. For
12. International Architecture Exhibition in Venice, the theater will present prefabricated a wide range of works: film, video, sound installations - created by artists invited. TB A21 will contribute 'film with some of his collection the program Berger / Berger : Mario Garcia Torres, Charter Abireta a to Dr. Atl (2005), Teresa Hubbard & Alexander Birchler, Single Wide (2002) and Olaf Rodakis Nicolai (2007).

Hernan Diaz Alonso, TB A21 Patagonia - 2010
" model TB A21 Patagonia presented at the 12. International Exhibition of Architecture embodies the continuation of the animation TB A21 Patagonia 2008, an experiment on a remote form of architecture. Located at the base of the Andes in Argentina, itself, a remote habitat, this proto- museum acts as an aesthetic environment expanded within the arid landscape of the region. With the intervention of foreign intelligence but sensitive may develop a new environmental condition. Those who dedicate themselves, can find a new and unexpected ability to access the dynamic condition and deeply energy that produces the same environment. Since this mutant form, the more creature body that passes from the periphery to its center, reveals pockets of space that form so the entire project . (Hernan Diaz Alonso)

Conversations on Mineral Furnishings
The projects will be contextualized through a series of conversations entitled Conversations on Mineral Furnishings housed within the experimental space designed by Aranda \\ Lasch and explain the title the exhibition this year Meet People in Architecture ; in this way will pursue the main purpose of the Foundation is to emphasize the exchange practical, intellectual and theoretician among artists, architects, historians, critics, scholars and curators . The space has been specially chosen for its characteristic of intimate space designed for dialogue.

Thyssen-Bornemisza Art Contemporary
Founded in 2002 by Francesca von Habsburg, Thyssen-Bornemisza Art Contemporary (TB A21 ) is the result of dedication to the art of the Thyssen family, now in its fourth generation . The foundation funds projects of international scope that explore ways of presenting who want to expand and lead the way in which the public may perceive the art and architecture.


12. International Architecture Exhibition - La Biennale di Venezia
headed by Kazuyo Sejima
August 29 to November 21, 2010
Gardens and Arsenal, and various locations
Preview 26 August 26 - 28, 2010
Times 10-18 pm


Conversations on Mineral Furnishings
August 28, 2010, 13:00 to 15:30
Italy Pavilion, Palazzo delle Esposizioni

Projects Credits
Aranda \\ Lasch , Modern Primitives , 2010
With Island Planning Corporation
Supported by Fendi
Coproduced by Thyssen-Bornemisza Art Contemporary
Arizona State University – School of Architecture + Landscape Architecture
The Johnson Trading Gallery

R&S ie(n)/ New-territories , thebuildingwhichneverdies , 2010
On the biennale R&Sie(n) is associated to Stephan Henrich, M/M, Benoit Lalloz, with the participation of Gaetan Robillard, Gorka Arrizabalaga, Jean-Michel Castagné & Sandra Meireis, Ulrike Marie Steen, Hamish Rhodes, Gabriel Blue Cira, Alessandra Vassallo, Sina Momtaz, Liz Langard, Melissa Millot
Project for Zumtobel
Coproduced / Zumtobel Lighting GmbH by cocommissioned, Austria, and Thyssen-Bornemisza Art Contemporary
Additional support of CULTURESFRANCE-Ministry of Foreign Affairs and European / Materialise 3D-print, Belgium and Tecmolde CNC-production, Spain

Berger & Berger , It will (a movie theater Prefabricated) , 2010
Construction Team: Pyrrhus Design
Technical manager: François Gaultier-Lafaye, Clément Arnoux With
The support of: Thyssen-Bornemisza Art Contemporary, Caterina Tognon Arte Contemporanea, ThyssenKrupp Elevator, CULTURES, Ministry of Culture and Communication, Cultural Service of the Embassy of France in Rome, Alain Resnais and Ciné Mag Bodard, Lux, DCTP Info & Archive, Garvan acoustic
Apart from the film, TB A21 Gave a hd-projector on loan

Hernan Diaz Alonso , Patagonia TB A21, 2010
Commissioned by Thyssen- Bornemisza Art Contemporary

Image Credits
Aranda \\ Lasch
Modern Primitives , 2010
Coproduced by Thyssen-Bornemisza Art Contemporary
Photo: Courtesy of the architects
R&Sie(n)
thebuildingwhichneverdies , 2010 (study)
Coproduced by Thyssen-Bornemisza Art Contemporary
Photo: Courtesy of the architects
Hernan Diaz Alonso / Xefirotarch
T-B A21 Patagonia , 2008
Thyssen-Bornemisza Art Contemporary
Still: Courtesy of the architect
Berger & Berger
It will (a movie theater Prefabricated) , 2010
Supported by Thyssen-Bornemisza Art Contemporary
Photo: William Ziccarelli

Contatti / Informazioni
Thyssen-Bornemisza Art Contemporary
Himmelpfortgasse 13, 1010 Vienna
T +43 1 513 98 56 17
F +43 1 513 98 56 22
press@tba21.org
Silvia Macchetto
T +39 338 342958
silvia.macchetto @ gmail.com
Giovanni Sgrignuoli
T +39 328 9686390
giovanni.sgrignuoli @ gmail.com
Christina Werner / w.hoch.zwei. werner@kunstnet.at
Breite Gasse 17 / 4, 1070 Vienna
T +43 1 524 96 46 22
F +43 1 524 96 32

Christina Werner / w. hoch.zwei. werner@kunstnet.at
Breite Gasse 17 / 4, 1070 Vienna
T +43 1 524 96 46 22
F +43 1 524 96 32

Modern Full Length Mirror In Black

Lof Autonomous Paichil reaffirms its struggle and invites trawün in Puelmapu

July 31, 2010
Front manipulated the statements of functional seudodirigentes, we will reaffirm our line expressed in the last public statement, also attached some pictures where we remember those who have maintained the struggle worthy, ancestral and those who do not follow or understand the Kuifi Rakizuam (Ancient Thought) betraying our essence and culture: "If you live Saiweke villain would say, Inakaial died as a political prisoner."

Public Statement Autonomous Community in Conflict Paichil
our people and the general public want to communicate the following: "That with Dignity
liable for the Defense and Resistance actions developed in our territory in recent months against oppressors winka their investments, the state's repressive forces and vigilante groups. We
responsible for the violence to winka oppressor state and its capitalist system who, through their political, economic and judicial Mapuche seek to halt the progress in the recovery of our natural political and territorial rights.
We have right to live free and under our own rules in our Territory and defend us from all unrighteousness and outrage as our ancestors did.
-The Lof (family-community) and Antreao Paichil inhabit this WalMapu (Ancestral territory) since ancient times as Kintrikeo, Kaiun and many others, this WalMapu was inhabited by various freely Mapuche Lof, until the joint war from both states (Argentina and Chile) cemented the invasion and territorial encroachment in the late nineteenth century.
As a conscious part in the struggle of the Mapuche people reaffirm our recovery objectives WalMapu All Usurped for all Our People, Our World Reconstruction and Liberation of all the yokes that oppress us, validating all forms of struggle. Repression
-repudiate the rest of our people and the usurpation of our lands, by the state and landowners, as well also of national and transnational oil, mining, hydroelectric, forestry and the whole capitalist investment, which continues the destruction of our people, also rejected the treason and handling of certain state institutions financed by imperialism, which through its face Mapuche sow confusion, division and awinkamiento in communities.
salute with admiration and deep respect for the struggle carried out by our pu pu ka Peni's Gulumapu Lamu, imprisoned, persecuted and killed by the oppressive state of Chile, in particular the processes developed by the Coordinator of communities in conflict Arauko Mallek (CAM) and the Mapuche Political Prisoners, and the whole of Communities in Conflict and Autonomous Communities around the Mapuche ancestral territory.
Resistance is not terrorism, terrorism is power, we echo and part of their mobilizations. Also ask our people to pay special attention to what He commands us ka Fucha Nguenechen Kushe Nguenechen Tain Kuifiche Iem with volcanoes, earthquakes, tsunamis. If we do not Filu Trentrén Filu Kaikai reordering things his way.
"For all this, pu pu ka Peni Lamu Ancestral Consciousness more worthy to fight and that we have endured the repressive forces of the winka, we declare Conflict and Autonomous Community Process Ancestral Mapuche resistance, part of an Autonomous Mapuche Movement Agreements and difference that develops throughout the WalMapu in recent years, we Mapuche anti-imperialist and Ancestral Libertarian. -Unknown
dialogue and negotiation tables of those who claim to represent to be functional winka policy. We do not traded, we do not sell, nor retreat. As we disclaim Autonomous Neuquén Mapuche Confederation as the representative body of our struggle, but we recognize it as a state institution like the ICC, Inai, Codeci, therefore it is your responsibility bureaucratic address some of our demands.
Yes to all communities recognize that in it are the result of manipulation, and denounced the traitorous actions of some members of the confederation (state officials), as well as infiltrated winka, religious sects and persons associated with the police in our community as the betrayal of alleged corrupt officials and deceitful awinkadas unfortunately winka hand and traitor have divided us again, however true to our essence Mapuche bond with the Earth and our sense of resistance will not give or One Step Back continue to struggle for recovery and Liberty to Victory or die on your feet. We are not Argentine
Chilean and not 200 years ago, we have thousands, not celebrate oppression. We do not participate in the march of the traitors with the government. While in our community and others sought, repress and criminalize our struggle, there is political persecution and traitors negotiate and celebrate. No aggression without response. The Weichafe will continue to resist our Mapuche Nation. -Finally
invite communities, organizations and all our people to make a Futa Traun in our Territory for the Spring, due to seek consensus and proposals in Our Struggle Ancestral Village, we hope to all those who are not afraid of winka who really think and feel like looking to parlay Mapuche real solutions to our reality of dispossession and oppression, to Overcoming Resistance reborn. We called the Rest of Our People to Stand Up Against the Oppression also Winka and fight to get everything Usurped, following the example of our Great Warriors of the Past. Pu Weftupe
Weichafe, meu Mapu Inkaiñ Femuechi tain Kuifiche Zeumalekefuingun Iem, Wewaiñ tain Kuifi Weich, Laiaingun weshainma winka ka pu pu Ianakona. Az Wiñomuleai Mapu, Mapu Ñielain Muleai Aukan. Territory
Liberation Autonomy Resistance Reconstruction. Outside
WalMapuChe Winka of all the Free Territory and recovered at Pueblo Mapuche.
Free the Mapuche Political Prisoners, Revenge of the Fallen, Stone and Fire to oppression. Lof in Conflict Paichil
Autonoma, Resistance Ancestral Mapuche, Mapuche autonomous and independent of

Upper East Side Coin Op Second Ave

"Open the turf" - OUTSIDER ART

was for some time that we wanted to do, give up all of the mooring, essentialize, avoid over-thinking, go to the heart of the matter, upstream of the concepts, find the innocence, free ourselves from too many cultural facilities, the mental constructions, an excess of words, words, words .... Open the turf, that's what we wanted to do: a bit 'as we have learned from Ezekiel Leandro, who of us who come from the Puglia is a teacher.

Ezekiel. ... And then? And then there are their children; when we are in conversation with an adult and too often we are there to get bored with the corner of my eye does not lose sight of the pen movements of our children and white sheet that must be filled , the wonder is guaranteed forever! And then? And then there are those saved from the production process - cosume-produce-crack - who is cut off, rejected for inadequacy, lack of mechanical nature, lack of automation, and who has certainly saved from corruption and that all attempts to save anyone ... .
Dubuffet, already seventy years ago, had the intuition that in that silence, that act exclusion that often degenerated (and results, perhaps with more refined methods) in the corner dressed as a "cure" was to be forced upon a treasure that isolation, he had to hide a precious drop of glory for all, enough to find a delicate way to do it emerge. ... and because he was an artist, did not take long to figure it out: just wanted to give those hands a brush deemed unnecessary to empty and neurotic mechanisms of growth of GDP, and the game was done, the situation upside down and the disabled now we, the poor slaves, the aliens.

We toured the different units that host the Italian people rejected the edge of chaos, what nonsense that we live every day, people, at least for this reason, more innocent than many others. We understand that there is much to do, but we also discovered that some people do, even with difficulty, something truly priceless: artists and art teachers who for years has been concerned about the environment and create conditions so that the flower may hatch, and do so in the best way, true Atelier d'Art, where art comes spontaneously, like water from the source ...

We did it without any resource if you do not want to be together, off and on the side of beauty.

"Open the turf" is a group exhibition of Outsider Art , a small event with no great pretensions, which includes works by artists from the Atelier "The Rose" (Florence) " The Brick "(Genzano)," Blue Camel "(Livorno)," Arts and Crafts "(Rome)," Terrae Project "(crisp)," Joseph Project "(Rome).

will open Saturday, July 3 - h.19, 30 with a speech Paul Iavarone and the special participation of the poet \\ songwriter Paolo Zanardi, and will close July 31 , just in time to celebrate the 109th birthday of Jean Dubuffet.

Claudio Muolo

Photos © Claudio Muolo_ PREVIEW EXHIBITION @ D + Arch

Starring:

- Paul Iavarone (Atelier Brick - Integrated Rehabilitation Complex San Giovanni di Dio Fatebenefratelli - Genzano di Roma).

- Cristiana Rossi, Marco Secci, Mimmo Epicoco, Daniela Di Furia (Laboratory and Mastieri Arts - Opera Don Guanella - Rome).

- Richard Bargas, Clara Rota (Atelier Blue Camel - Livorno).

- Giancarlo Tissi (Josephine Community Project - Rome).

- Paola Sacchi, Viola Tortoli (Coop. Social Le Rose - Florence).

- Lisa Serio (Project Terrae - Crispiano Mental Health Center - TA).

- Tonino Jeremiah (Ass Cult. Songlines - Genzano di Roma).

In collaboration with:

- Ass Cult. The Nail Sermoneta.

- Marameo Studio - Electric Art.

© Studio Marameo - Mr. Lover Full

outlining, among others, the artists:

Anna "Cosi" Daggers, Baldoncini Luigi, Angelo Valentini, Franco Faron, John Perrone, Asher Raccah, Antonio Ruggiu, Mario Papi, Michael Iannaccone, John Vitalini, Rodolfo Vaccaro, Luigi Tuveri, Gaetano Porcellini, Richard Sevier, Nicola Cipollone ...

"Open the turf"

Outsider Art

3 to 31 July 2010

by CLAUDIO Muolo

"The Nail Sermoneta "

Piazza del Popolo, 13

Sermoneta (LT)

tel. 3474096112

barcla@email.it

Width Of Scarf Fleece

DMY_ International Design Festival Berlin 2010

the party tonight ' 8th edition of DMY International Design Festival Berlin with a opening ceremony in a large hangar of the historic former airport Tempelhof in Berlin . In addition
11,000 square meters full of prototypes and new products from over 400 designers to discover the latest developments in the field of contemporary product design.

DMY Berlin Festival 2010. Image © DMY Berlin - Fesivalcatolog.

DMY BERLIN in collaboration with CREATE BERLIN during Milan Design Week 2010, submitted 7 designer / creative workshops Berlin for the exhibition "Made in Berlin - Open Process" .

Culture Forms, E27, ha bucket, llot llov, Mark Braun, and Werner Aisslinger OLIVERVO , these are the names of the select group participating in the exhibition, held in a particular area of \u200b\u200bZona Tortona : a "garage" , where tools, machines and materials reflect the daily life of work. " Open process" has thus offered a glance closer to the processes of design, from first inspiration and concept, to a series of prototypes.

Made In Berlin - Zona Tortona 2010 @ Open process. Image © 2010 DMY Berlin.

year's DMY International Design Festival Berlin bring more news than the previous editions:

Maker DMY Lab, which will explore
the creation of new designs and encourage the design and thought open. Several lab-stations invite visitors to learn, play and develop the design of others by providing an overview of technologies and tools such as 3D printers, laser cutting, plastic bio and other technologies do-it-yourself. So everyone can experience the constant flow and the principles of digital culture, such as sharing and crowdsourcing.

Swiss Design Focus,

following the Dutch Design Focus last year, this year's festival will have a special spotlight on Swiss design with the introduction of schools design more in the country, including a special exhibition EPFL + ECAL Lab and the first exhibition on technology-based products submitted by FIDH Oskar Zieta and ETH Zürich as well as books and Selected projects from design studios. In addition, the section of the exhibition will show the winners "Design Preis Schweiz" and reward future talent with ' Eidgenössischer Preis für Design.

DMY Berlin Festival 2010. Image © DMY Berlin - Fesivalcatolog.